Skin Again

"Raschka does his usual extraordinary job of illustrating highly abstract concepts: children of different colors -- rendered in smudgy paints -- look at, point at, and reach out to each other, finally clasping hands in a sort of a graphic minuet."

"In Raschka's exuberant paintings, an unpeeled-onion motif implies the multiplicity of stories beneath a person's visible surface, and dancing children, with varied hues of skin and reckless swirls of hair, suggest common interest and love. With torn paper rectangles, Raschka establishes quilty grids on the pages, and limits his characters in wide brushstrokes within these boxy spaces. Jazzy dashes and daubs of earth-tone paint suggest African batik or Aboriginal art."